Modern composer George Crumb is one of the few major figures (such as John Cage and Henry Cowell) to invent new sonic dimensions for the piano. His compositions from the 1960s and early 70s draw sound from the inside of the instrument as much as the keys. In Makrokosmos I and II the piano strings are plucked, strummed, and manipulated with various objects, alone or in conjunction with the keyboard. Parts of the piano’s internal mechanisms are played percussively. Crumb’s scores are visually as unique as the music they contain, with such unusual designs as staves running in circles and spirals. Needless to say, it takes a remarkable talent and creative mind to perform Crumb’s pieces.

This DVD showcases Margaret Leng Tan, possibly the most skilled avant garde pianist playing today. Ms. Tan has made a name for herself through her interpretations of John Cage, and her explorations with the toy piano. Here she brings Crumb’s zodiac-inspired scores to vivid life, using a sonic palette that makes a viewer wonder if the sounds being produced are actually from the piano on-screen. Ms. Tan’s expressive techniques compliment the pieces well, which require a wide range of theatrical dynamics as well as chanting and other unusual vocalizations. The DVD also features an interview with her and Crumb, discussing the genesis of the pieces. It’s a treat to see such a ground-breaking composer comment on his inspirations and the appreciation he’s been shown in his own lifetime.

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